Whatever you choose, compressors are of huge importance, so youвЂ™d better get one! I typically do only 1-2 dB of both high and low-level compression on the mix bus. It is about the closest thing you can get to level automation in the form of a compressor. In short, the Trackspacer does the job really fast, providing you with clear and precise mixes. Remember to work with the makeup gain to keep your levels in check. They let you control the dynamics of the tracks in various ways that unleash many creative possibilities. So when functioning in side-chain mode, it checks for potential spectral collisions and works to avert them by bending affected frequency ranges within the input signal. With no form of hardware emulation present in the plugin, the TDR Kotelnikov is a new type of digital compressor вЂ¦ Speaking of which, it brings the delightful taste of warm analog sound with everything housed in a straightforward interface. Available independently or as part of the Weiss DS1-MK3 collection, this plugin is tailored to focus squarely on the crust of sound. The S73 is a multi-band compressor which neatly bypasses my biggest issue with multi-band compressors - infinite choice. A seriously overlooked and underrated bus compressor is the CLA MixDown. That includes fast attack time, light distortion, and вЂњall buttons inвЂќ mode. ItвЂ™s a stereo only plug-in, but can be used in left-right, or mid-side modes as well. Finally, digital compressors are the best kind if you want really transparent compression. Well, with DynOne II, the experience is quite the opposite. Although the VSC-2 was originally developed as a stereo bus compressor, the plugin version can be used on anything. There are controls over the Range and Drive of the compressor, with a singular вЂ¦ Topping VintageWarmer 2вЂ™s impressive features is the comprehensive collection of presets that offer the much-needed inspiration when the controls become overwhelming. The DC1A is one of my favorite compressor plugins as well, just slightly behind the MJUC Jr.

Don't forget, its exquisite crossover filters are customized to interact without raising phase alignment issues between the bands. Density might be the closest you can get to an SSL Bus Compressor in a freeware format. You can use it through every stage of the musical production, and it can even substitute other plugins such as EQ, distortion, and transient designer. The FG-STRESS includes distortion generators and detection filters that you can add to each curve, a high-pass filter for sidechain and the signal path, as well as parallel compression via a dry /wet knob. I like to keep it on but then fine tune the gain manually. One of its top features is the Delta preview mode that previews the difference between the compressed and your original signal.

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